Thursday, September 19, 2019
Literary approaches :: essays research papers
 Literature    â⬠¢Ã  Ã  Ã  Ã  Ã  Choose six of the following approaches and find one article for each approach.  â⬠¢Ã  Ã  Ã  Ã  Ã  Writing:  à  Ã  Ã  Ã  Ã  One page per article  à  Ã  Ã  Ã  Ã  2 pgs summary    Critical approaches important in the study of literature:    MORAL/INTELLECTUAL  â⬠¢Ã  Ã  Ã  Ã  Ã  Concerned with content and values  â⬠¢Ã  Ã  Ã  Ã  Ã  Used not only to discover meaning, but also to determine whether works of literature are both true and significant.  â⬠¢Ã  Ã  Ã  Ã  Ã  To study lit from this perspective is to determine whether a work conveys a lesson or a message and whether it can help readers lead better lives and improve their understanding of the world.  â⬠¢Ã  Ã  Ã  Ã  Ã  Answer these questions:  à  Ã  Ã  Ã  Ã  What ideas does the work contain?   à  Ã  Ã  Ã  Ã  How strongly does the work bring forth its ideas?  à  Ã  Ã  Ã  Ã  What application do the ideas have to the workââ¬â¢s characters and situations?  à  Ã  Ã  Ã  Ã  How may the ideas be evaluated intellectually? Morally?    TOPICAL/HISTORICAL  â⬠¢Ã  Ã  Ã  Ã  Ã  Stresses the relationship of lit to its historical period  â⬠¢Ã  Ã  Ã  Ã  Ã  Investigates relationships of this sort, including the elucidation of words and concepts that todayââ¬â¢s readers may not immediately understand.  â⬠¢Ã  Ã  Ã  Ã  Ã  Common criticism is that in the extreme, it deals with background knowledge rather than with lit itself.    NEW CRITICAL/FORMALIST  â⬠¢Ã  Ã  Ã  Ã  Ã  Focuses on literary texts as formal works of art, and for this reason it can be seen as a reaction against the topical/historical approach.  â⬠¢Ã  Ã  Ã  Ã  Ã  Most brilliant in the formal analysis of smaller units such as poems and short passages.   â⬠¢Ã  Ã  Ã  Ã  Ã  Discussions of point of view, tone, plot, character, and structure are formal ways of looking at lit from this point of view.    STRUCTURALIST  â⬠¢Ã  Ã  Ã  Ã  Ã  Stems from the attempt to find relationships and connections among elements that appear to be separate and discrete.   â⬠¢Ã  Ã  Ã  Ã  Ã  Attempts to discover the forms unifying all lit  â⬠¢Ã  Ã  Ã  Ã  Ã  Important because it enables critics to discuss works from widely disparate cultures and historical periods.  â⬠¢Ã  Ã  Ã  Ã  Ã  Furnishes an ideal approach for comparative lit and the method also enables critics to consolidate genres such as modern romances, detective tales, soap operas and film.  â⬠¢Ã  Ã  Ã  Ã  Ã  Best in the analysis of narratives and larger units.        FEMINIST  â⬠¢Ã  Ã  Ã  Ã  Ã  Holds that most of lit presents a masculine/patriarchal view in which the role of women is negated or at best minimized.   â⬠¢Ã  Ã  Ã  Ã  Ã  Seeks to raise consciousness about the importance and unique nature of women in lit.    ECONOMIC DETERMINIST/MARXIST  â⬠¢Ã  Ã  Ã  Ã  Ã  Features individuals in the grips of the class struggle.   â⬠¢Ã  Ã  Ã  Ã  Ã  Often called proletarian lit  â⬠¢Ã  Ã  Ã  Ã  Ã  Emphasizes persons of the lower class ââ¬â the poor and oppressed who spend their lives in endless drudgery and misery, and whose attempts to rise above their disadvantages usually result in renewed suppression.    PSYCHOLOGICAL/PSYCHOANALYTIC  â⬠¢Ã  Ã  Ã  Ã  Ã  Provided a new key to the understanding of character by claiming that behavior is caused by hidden unconscious motives.  â⬠¢Ã  Ã  Ã  Ã  Ã  Treat lit somewhat like information about patients in therapy.    ARCHETYPAL/SYMBOLIC/MYTHIC  â⬠¢Ã  Ã  Ã  Ã  Ã  Presupposes that human life is built up out of patterns, or archetypes, that are similar throughout various cultures and historical times.  					    
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